![]() ![]() The rest of the UK & International delivery : We send your art crush within 2 weeks, to allow us to get the best packaging. ie £ 300 is for a 150 x 150cm artworks is a 2 man crew job) You will see our different rates before checking out (no hidden fees). Delivery within M25 : £ 50 - £ 300 depending on the size & weight of the artwork (ie £ 50 for a framed pint. ![]() We’ll do our best to accommodate your request. ![]() Get in touch with us if you want to collect outside of the opening hours. BLOP BLOP A NOO NOO FREEFree pick up from our gallery in London NW2. And no, it doesn’t sound a thing like Elliott Smith.We are gladly here to help, if you have any questions, do contact us through the form on our ‘ Reach out’ page or leave us a message online through the chat box available on your screen. But it came out this week, so, unfortunately, it’s simply great. If this came out 20 years ago, it’d be revelatory. “Needle In The Hay” is a gem of a thing, its seeming sloppiness belying the fact that this track truly rips, guitars and otherwise. Off of a split 7″ with fellow Aussie Courtney Barnett, Jen Cloher’s sound is definitely the boozier of the two. This one, produced by Modeselektor, is nearly 10 minutes of nonstop amazing, and is a must-listen for anyone unfamiliar with his work. The Syrian wedding singer-turned-dance-producer recently signed to Monkeytown, and that label threw a whole slew of producers at his upcoming album. Try not to dance while listening to Omar Souleyman. It’s kind of the same thing he’s been doing ever since the height of chillwave, but unlike most of his peers, he’s managed to evolve just enough to turn his sound from that of the niche into something that is pretty unassailably catchy. “Run Baby Run,” off of his upcoming album What For?, is a pop song soaked in the ’60s nostalgia that so many bands aspire to yet fail to capture in the same way as Toro’s Chaz Bundick can. Toro y Moi is Toro y Moi, and that’s why he’s both always forgotten and also worth remembering. ![]() Thankfully, what we got as a followup was a pure goddamn banger, Rihanna singing “ blop, blop, blop“s over one of the best beats she’s ever been given. With the all-denim, all-despondence of “FourFiveSeconds,” it was easy to expect that Rihanna’s eighth album was going to be a sleeper, a more sensitive side to Bad Girl RiRi. In Colour is set for a June release via Young Turks. The beat is all open bells, chants, and hand claps, over which Romy sings of her trademark malaise in her trademark whisper, “I go to loud places/ to search for someone/ to be quiet with/ who will take me home.” The production of Jamie xx has always been the strongest part of the xx’s career aesthetic, so it’s no surprise that this song, which features Jamie’s xx bandmate Romy Madley-Croft, is stronger than anything on that group’s last album, Coexist. Technically, this is not an xx song, but it definitely could be. We’ve got some Syrian stuff, some chill stuff, and some pure ’90s indie rock stuff for you, too. This week saw the release of the Rihanna’s anticipated followup to “FourFiveSeconds,” titled “Bitch Better Have My Money,” and Jamie xx dropped a Romy Madley-Croft-featuring single from his debut solo album In Colour. Some weeks it’s all about the indies, and other weeks it’s all about the stars. ![]()
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